The LPL mount transfers LDS and Cooke /i protocol and is LDS-2 compatible. Highlights include two completely independent 12G SDI outputs, an ethernet connector for real-time streaming metadata, and regulated 12V and 24V accessory power outputs. Improved mechanics, impressive metadata, and enough power for all your accessories. Description of the ARRI LogC4 logarithmic curve as part of REVEAL - the ALEXA35 color science. In extremely cold environments ARRI recommends the use of the Heated Eyecup HE-7. You also have to use this if you are running the ALEXA 35 with one of the additional modules. This was not a shipping version of the camera and it was still using quite early firmware, so I wasnt able to test some of the features because they werent available. The 18-bit (linear) raw data stream from the sensor can be recorded as 13-bit (log) ARRIRAW files. What is a welcome change is that all of these new accessories can be attached independently of each other. Almost any camera on the market today is capable of producing great results in the right hands. This 290W is distributed as follows: ARRI gives you multiple ways to power the camera. The maximum frame rate of this Mini LF The close-ups on the kids' faces were like nothing else I've seen. The RGB image data is placed in a new color space called ARRI Wide Gamut AWG4. reduces the data rate by 76%. I like to take as much as possible out of the equation when evaluating the camera. In 2022, that is a very low ISO number and most other cameras can go far beyond 3200 ISO while still producing a limited amount of noise. It retained all the color and information even in the most brilliant of highlights and deepest of shadows. The ALEXA 35 is equipped with a universal lens mount base that uses the same camera to lens mount interface as used on the ALEXA Mini LF, ALEXA Mini and AMIRA, so all lens mounts that fit on these cameras will physically also fit on the ALEXA 35. You have to actually use a camera in the real world in real shooting environments to see how it performs because usability is just as important as image quality. This is completely different to the ALEXA Mini LF which has two fans on the right-hand side of the camera. For further information on ALEXA 35 workflows visit our website: www.arri.com/alexa35-workflows0:00 Intro03:33 Differences Christian Grafwallner, ARRI Workflow Tools Product Manager, introduces the ARRI Reference Tool. All rights reserved. Key features include: 4.6K Super35 ARRI ALEV 4 CMOS sensor. Above are 10 films that were commissioned by ARRI. ARRI's ALEXA 35 Camera Arrives as a Cutting Edge, Makes You Go Wow Note: Ideal in an environment warmer than 30 C (86 F). These Enhanced Sensitivity Mode settings are available in the same place where you find the regular EI values. CFast 2.0 cards or some other forms of media wouldnt have been fast enough to use for some of the resolutions and frame rates that the ALEXA 35 can record in. I was so impressed by the latitude of the sensor, and I loved how it depicts colors as vividly as a stained-glass window. This is not a traditional matrix and what that means is that it is able to more accurately recreate nuanced colors. Texture attributes can be very subtle and are best viewed on a large, high-quality HDR monitor. I had them set up on User Buttons 5 and 6. ARRIs discussions with filmmakers and careful review of the image pipeline have led to significant image quality enhancements and a faster, easier workflow. D-Tap from a battery adapter plate) in order to ensure proper performance. Ok, lets step it up one more level and have a look at EI 3200 where you can a whopping 11.4 stops above middle grey. The portfolio includes digital cameras, lenses, camera accessories, archive technologies, lamp heads, and lighting accessories. ARRI Textures allow you to alter the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived as sharpness. However, the LogC4 image from the ALEXA 35 retains so much information, that everything is still there. This means that the ALEXA35 and ARRIs large-format cameras can be combined on set and can also share LogC4 LUTs in post. ARRI seems to have nailed it with the ALEXA 35. It is ironic that you could teach someone how to use an ARRI digital cinema camera in far less time than most other cameras that are on the market. The display screen has three main sections: When Enhanced Sensitivity Mode is turned on, the EI value will be followed by an ES. There is also now the ability in the menus to choose what power source has the priority. I will talk more about this further down in the article. When you view the cliplists you now can also see the recording codec, framerate, timecode and duration of the clip. I love the ability to get ultra-wide, undistorted shots with a full frame or larger sensor, but on the other hand, I like the extra reach, and more affordable and lightweight lens options there are when shooting on an S35 camera. Is it the perfect camera, of course not. As it is a Super 35-sized sensor DPs have the ability to use both S35 and LF lenses on the camera. For three recording formats, the Apple ProRes 4444 XQ flavor has a 5 to 10 fps lower maximum than with 4444 or 422 HQ. You can use battery adapters that mount directly to the camera, including a low-profile B-Mount battery adapter. They are then just taking the noise reduction that is being applied to that second image and combining it with the noise from the first image to reduce the noise of the image that is actually being recorded. The ALEXA 35 has big shoes to fill as it is the first ARRI camera to feature a sensor that isnt based on the ALEV-III. These increased bit-rates mean that the ALEXA 35 has a slightly higher data rate than the ALEXA Mini LF. Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates inmind, ALEXA35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment. You can also independently attach and remove second layer side, top and bottom accessories without needing any tools. Also, you dont want to capture too much extra blue/green color information that the human eye can see because it makes it harder for a colorist to grade footage. Now, you may be wondering, well hold on, what happens if I need to travel on aircraft with 24V batteries? This has been specifically designed for Steadicam. The same workflow can then be used for Mini LF and Mini (except that Apple ProRes has ARRI ALEXA 35 Production Set (19mm Studio) - Lensrentals.com There are different top handles, different viewfinder mounting brackets, and a host of other accessories for just about any scenario you can think of. Originally I wasnt sure if I liked the placement of where ARRI put the main jog wheel on the MVF-2. For questions or help using this tool, use our User Forum or send an e-mail to our Workflow Team. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science. The side screen is a welcome addition and I think a lot of users of the camera will be happy to see it included. The other Textures are merely an option and they are not something that you have to use. If you want to record 3 hours of 4.6K 3:2 Open Gate in ARRIRAW without having to back up any cards, you have to spend a whopping $13,440 USD on media. Before shipping, every ALEXA35 undergoes extreme temperature and vibration tests to ensure a lifetime of reliable service on set. There was immense pressure on ARRI to come up with an entirely new sensor that was better than the ALEV-III. There are an endless number of options when it comes to rigging. Important settings can be quickly seen on the home screen: I like the addition of the ND position to the home screen instead of in the EI section in the Mini. This allows you to more accurately monitor HDR in the viewfinder. Additionally, there are also different viewfinder mounting options available for the Lightweight Set. After almost a decade of the ALEXA user interface, ARRI changed things up when they announced the ALEXA Mini LF. for ALEXA, AMIRA, ALEXA Mini, ALEXA LF and ALEXA Mini LF) should not be used for screening or post-production workflows together with the ARRI S35 4K footage. So ARRI cant just stitch this new sensor to create a larger sensor. There are several default screen options available. This was done to provide a long product cycle and a safe return on investment. What is nice is that if you use two batteries at once the camera will detect this and display the remaining battery time for both batteries. These arent even graded images! In a nice touch, ARRI has equipped the ALEXA 35 with removable and replaceable industrial scratch-resistant foils on critical surfaces near where cables and connectors are plugged in. At the end of the day, a camera is just a tool, and it is up to the user to get the best results out of it. He also gives an A total of 19 different ARRIRAW and Apple ProRes recording formats are available for the ALEXA 35, incorporating efficient in-camera downsampling and anamorphic de-squeezing. I used the ALEXA 35 for a couple of TVCs where I had to shoot a lot of the content in very challenging lighting environments where there were very high dynamic range scenes with a lot of mixed lighting. There's still no word on when the new offering is expected to hit the shelves . ARRI highly recommends that you use these new LUTs because if you try and just grade a LogC4 image without doing a color transform first you will run into issues. "- Erik Messerschmidt ASC, USAShot with ALEXA 35, the K445 Default ARRI Texture and ARRI Signature Prime lenses.The Swing is one of the short films in the Encounters series commissioned by ARRI for the launch of the ALEXA 35. On top of the camera, there are some Pogo Pins and these are meant for future accessories that will be announced at a later stage. Given this camera is being targeted as a high-end digital cinema camera, it makes sense that it is in this form factor. Logc3 and LogC4 Look Libraries are also available in the new ARRI Reference Tool. Remote Phosphor Panels, Panel Carrying Bags, Conversion Filters, Softboxes, Accessory Holders & Speed Rings, Overview of all current Software Update Packages, Software and Firmware Updates for Cameras, Software Update for Wireless Video System, Software Update Battery Hanger Module BHM-2, Certified user training for camera stabilizers, Advanced Service Training for Electronic Control Systems, ARRI Certified Film School Accreditation Program, "What You Gonna Do When The Worlds on Fire? I dont know of any other camera company that has its own ND filters that were made to specifically match the internal ND. The second is the Lightweight Set which includes: There are also additional sets of accessories that have been designed to complement the Lightweight Set. If you dont use the screen for more than 60 seconds it defaults to show your ND setting, like a filter tag. ARRI has a history of accurately, or rather conservatively, measuring the dynamic range of its sensors. As the ALEXA 35 utilizes a new MXF wrapper it required a new HDE workflow. When shooting high dynamic range scenes or scenes where you need to protect your highlights, the ALEXA 35 provides a large safety net. It has a familiar form factor and keeps the same combination of EVF and flip-out LCD from the existing ALEXA Mini and AMIRA. The camera assembly is a modern process done in-house. ARRI has designed its assembly process to be very flexible, so the same people can build the ALEXA 35, ALEXA Mini LF, ALEXA LF, and AMIRA. We couldnt use any lights; we just used the streetlights and the light from buildings. longer than half a second) activates the function only temporarily, as long as the user button is pressed. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. shooting with most spherical S35 lenses for a 16:9 target deliverable. Ideally, you want to put it into a color space that is a good representation of what the human eye sees. The ALEXA 35 Production Set includes a number of new and unique mechanical support parts, designed for traditional camera department rigging workflows. The ALEXA35 made us feel safe with its amazingly helpful features. The ALEXA 35 is able to deliver up to 290W of power as long as the power source being used can supply that much. "- DP Neha Parti Matiyani ISC, IndiaShot with ALEXA 35, the K445 Default ARRI Texture and ARRI Signature Prime lenses.Through the Colors is one of the short films in the Encounters series commissioned by ARRI for the launch of the ALEXA 35. For ARRI to lose its position as the predominant high-end digital cinema camera choice competing companies cant just make a camera that is close or just as good as an ARRI, it needs to be a lot better. False color for both cameras is being sent out over their respective SDI outputs. When you want to change a selection you press the MENU button again and then that item is highlighted. Here are the filters the Mini LF has: The FSND filters work really well and it is easy to activate them. Well, mainly for all of the reasons I have mentioned. The ALEV-III exceeded ARRIs greatest expectations and if you think that every ARRI camera released in the last 12 years has used a variation of the original ALEV-III sensor that is the ultimate testament to just how good it is. recording format (75 fps) is higher than the same recording format on the ALEXA Mini (50 fps). Because this is an entirely new sensor, the ALEXA 35 isnt going to be an exact match with existing ARRI cameras. There are attachment points on the top, bottom, left, and right sides of the camera. You press on it and it pops out. In ARRIs defense, moving to 24V was the only way to build the ALEXA 35 without compromising on performance. Eleven filmmakers from around the world were given the same brief "The ALEXA 35 has a vivid, true-to-life color rendition and handles highlights beautifully. . I did notice this faint ghost trail when I was shooting at 6400 ES and following a train moving across a bridge. This simulator release mimics SUP 1.0 of the ALEXA 35 camera. A lot of these accessories were based on feedback ARRI got about Mini & Mini LF accessories. Inspiring images. This allows you to meet all of the 4K mandates imposed by ceratin streaming services. 1917 and the Revenant are prime examples of movies where they relied very heavily on natural lighting and shooting in conditions that werent always ideal. This is because there are two onboard batteries attached to this camera, the second on the back of the first. Just like with the Mini LF there is an Electronic Hiriozon that you can activate in the Status Components section of the menu. 17 stops is a whopping 2.5 stops more than previous ARRI cameras and more than any other digital camera on the market today. You can literally set up the ALEXA 35 so you dont have to go into the menu to make the main operational changes. Yes, this is just a marketing term, but what it actually does is a very important step in the overall creation of the image. The Operator Control Unit OCU-1 is an addition to the WCU-4 lens control system on ALEXA Mini, ALEXA LF, ALEXA Mini LF, and ALEXA 35 that connects to the camera via an LBUS cable. On the ALEXA Mini LF, you have the choice between viewing False Color as Monitoring-based or LogC-based. It will be a 24 V camera, and that's because within that camera we have really exciting image . That same sensor technology would be used in every ARRI camera for the next decade and some change. Having the analog to digital converters actually sitting on the sensor board allows ARRI to shorten the high-frequency analog lines which in turn allows you to create a cleaner image with less line noise, and less fixed pattern noise. That is a good question. This may all sound complicated, but it is actually a very smart way of applying noise reduction without affecting the image in an overly negative way. ARRI also has an accessory called the Battery Adapter Back BAB-LF which emulates the back of an ALEXA LF. Well, not only do you end up with a camera that can handle just about any lighting conditions you can throw at it, but it gives you so much flexibility and room in post for manipulating and stretching your image. Even though the camera wasnt designed for solo operators, ARRI has made a lot of accessories that do make it easy to use for that exact purpose. This keynote presentation, broadcast on the day of the cameras launch, gives an overview of the extraordinary advances it brings to the industry. After a lot of trial and error, ARRI eventually came up with a very sophisticated stray light suppression technology that involved using a very expensive coating in combination with special ridges and light masks that are placed inside of the camera cavity. Great for TRINITY, Steadicam, Easyrig, drones, and cranes. There are also options for in-camera down-samplingand in-camera anamorphic de-squeezing when shooting ProRes. Codex Compac Drives are seen by ARRI as an upgrade to a more professional, robust recording media. Well, ARRI noticed that crews like to tape critical information, like the lens close focus distance or the names of actors and characters, to the side of their cameras. The ARRI ALEXA 35 is a 4K Super 35 camera, released by ARRI in August 2022. Everything We Know About the New ARRI ALEXA Super 35 4K Camera One of the biggest additions to the menu system is that you now have new information panels that display key information for the user. Towards the back of the camera you will find the following: Then if you move slightly forward you have the following: The ETH connector can also be used for real-time streaming metadata which is handy if you are using the camera for Mixed Reality Productions (MRP). You cant technically fit 17 stops of dynamic range into a 10-bit container. You dont need any software or drivers to read the footage from the Codex Compact Drive Reader. I would go as far as to say that an ALEXA 35 file is incredibly easy to grade. REVEAL Color Science is a suite of new image processing steps used by ALEXA35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. 2.5 more stops than previous ALEXA cameras, with filmic highlight roll-off, Easier to handle any lighting conditions, more flexible in post, The best possible source for HDR projects, Improved sensitivity: lower noise, higher ISO, EI 160 to EI 6400, with color accuracy maintained at all exposure levels, Enhanced Sensitivity option for even cleaner images in low light, Natural and beautifully rendered skin tones, Subtler tonal variations for immersive and emotionally powerful images, More on-set creative control than ever before, ARRI Textures let you tune how ALEXA 35 'sees' the world, Evolving menu of textures for different shooting environments and visual styles, Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array, Sensor Maximum Number of Photosites and Size, 2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS)), 4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 1.102 x 0.756", Identical to Recording File Container Size, Adjustable from EI 160 - 6400 in 1/3 stops, Electronic shutter, 5.0- 356 or 1s - 1/8000s, Multi Viewfinder MVF-2 with 4" flip-out monitor, Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps, Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8, 2x VF custom CoaXPress connectors for MVF-2 viewfinder, 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00, 1x LEMO 6pin balanced stereo line in with 12V power output, MVF-2 viewfinder as wired remote control with 10m/33ft cable, 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable, 1x PWR (LEMO 8-pin) You can mirror the sensor image in horizontal and vertical directions. FPGAs not only have the horsepower to deliver multiple streams of the highest image quality, but their re-programmable nature ensures that improvements in processing can be made available to all existing ARRI cameras. ARRI launches the next era of digital cinematography with new ALEXA 35 This works really well if you are shooting handheld. May 31 st, 2022 14 Camera News ARRI has just unveiled its latest cinema camera: The ALEXA 35. This features the same looks that were previously a paid option for the ALEXA Mini and Amira. H The sensor image is horizontally mirrored. When you are done using it you just press on it again and it pops back in. ARRI ALEXA 35 Lightweight Set - B&H Photo Video I love how you can break the camera down and just use it in a small configuration, but sometimes you have to build it up to the point where it increases in size and weight immensely if you want to shoulder mount it. Once you have constructed everything you dont need any tools to make adjustments. The flip-out LCD screen is a massive improvement over the one that was on the AMIRA and ALEXA Mini. The new sensor in the ALEXA 35 has 1.5 stops more in the highlights while still retaining that renowned ARRI highlight roll-off. an .mxf container on Mini LF and a .mov container on Mini). You can test and choose an ARRI Texture in pre-production in exactly the same way as you would with a show LUT. This was a big part of what made the ALEXA family of cameras so successful. The small issue I have with the MFV-2 is that you seem to get image judder when you are doing pans or tilts, even at low speeds. Between their diverse locations, lens choices, and shooting styles, the filmmakers pushed the limits of the cameras dynamic range and explored the ARRI Textures, unloosing their creativity on the new possibilities with color, low light, blazing highlights, and extreme conditions. This is because of the new cooling system and where it is located within the camera. If you are not familiar with what a color space is, it is a method for writing down colors as numbers in order to store, process, and display images. Bigger isnt always better. less than half a second) toggles the function, while a long press (i.e. This can only be done when shooting ProRes. If you look at the same image from both cameras with a Look applied you can see how heavily they both appear to be clipped. This is good for items like image zoom, peaking or false color. Is This the Best Digital Sensor Ever Made? Meet the New ARRI Alexa 35 The ability to create a Log-to-Log look file without first converting to a color display space has been something you have been able to do in postproduction for a while. This is not a camera that is going to suit everyone. The lens squeeze factor determines the factor that is used for anamorphic de-squeeze on EVF/Monitor and SDI. I did this test and my jaw dropped to the floor. The ALEXA 35 is certainly sustainably better in low-light environments. With the majority of footage I took, if I wanted to, I could literally just place the same viewing LUT I was using on the footage and it looks great. The ARRI Camera Companion App not only works with the ALEXA 35, but also the ALEXA Mini LF, ALEXA Mini, and the AMIRA. The ALEXA 35 has big shoes to fill as it is the first ARRI camera to feature a sensor that isn't based on the ALEV-III. First informations on the ALEXA35 workflow. Above you can see the maximum frame rates when recording in ProRes in the various resolutions and frame sizes. The ALEXA 35 is an extraordinarily good camera. The ALEXA 35 supports a wide variety of squeeze factors. Image processing steps like de-Bayer, white balance, sensitivity, up-sampling, or down-sampling, which are irreversibly applied in-camera for compressed recording, HD-SDI outputs, and the viewfinder image, are not applied to ARRIRAW.
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